The Transmutation section has a pleasing Erlenmeyer flask graphic, which can be used. There’s also the option to fill in the blanks with a pseudo‑random note generator. There is a set of traditional scales, and a set that’s geared specifically towards acid melodies. The sequencer can be set to adhere to a number of different scales, and it’s possible to enter custom scales (with probabilities set for each note). It’s effectively independent control of the ‘last step’ position for each of those parameters, so that you can set a sequence going where the notes to which slide, for example, is applied drifts over time, to create interesting variations. This allows the number of steps before the end of the loop to be set independently for octave select, notes, slide, accent and vibrato. More on the Modulation and Effects in a moment, but first let’s turn to the original 303’s greatest flaw (or greatest asset, depending to whom you speak) - the Sequencer.Ĭlicking the Advanced button reveals tabs for the sequencer, modulation and effects pages.Īcid V’s grid sequencer works much as you’d expect, but has some interesting features including ‘Polymetric’ mode. Acid V is a software emulation of Roland’s legendary TB-303, bridging unprecedented audio quality, with a model & production ready workflow. For electronic musicians looking for THE iconic acid sound. One for an update, perhaps?Īfter locating and pressing the Advanced button you’re presented with tabbed pages for Sequencer, Modulation and Effects. Advanced Modulation system for evolving sounds. It would be useful if there was a keyboard shortcut to flip from one mode to another. One slightly bothersome detail is that the ‘Advanced’ button is used frequently to flip between the front‑panel view and the sequencer view, but it’s also the tiniest button, far, far away in the upper‑right corner of the window. As a TB-303 emulation, it provides an intuitive interface with scale-based pattern sequencing and arpeggiation controls. I was slightly unsure of the glowing green rings around the knobs at first, but they provide a good visual feedback when connected to the various modulation sources. Arturia Acid V NEW More Info & Price (Trial Available) Arturia Acid V is designed for sequencing and arpeggiation, especially for Acid-based dynamic patterns and basslines. The interface is nice and clear throughout, although I do hope that with repeated use the silver paint wears off around the cutoff knob as with the original. Gone, though, is the infamously difficult sequencer, replaced with a grid system that makes the note entering and editing process very easy and offers sequences of up to 64 steps. Vibrato can be assigned to notes in the same way as the traditional accent and glide. These are for distortion, which makes it easy to jump right into high‑energy screaming acid leads without having to search for a non‑flat 9V battery for that orange Boss pedal a sub‑oscillator with octave shift and a choice of waveforms and a vibrato section with depth and speed controls. You may have already noticed the addition of several extra knobs to the front panel. With all of the important original features dutifully included, new sequencing, modulation and audio capabilities have also been added. In recent months, Arturia has released an effect based on the iconic Leslie rotary speaker and an emulation of the acid house classic Roland TB-303, among other products.Arturia have another classic on their long list of software synths: a special little squelchy box.Īcid V is a software emulation of the ever popular Roland TB‑303. Actually it allways did take some time before new applications was added to Analog Lab. The UI refresh for Analog Lab Pro is coming at a later date. The most iconic bassline machine you will ever work with. The company also drops free instruments and effects once in a while, like 2021’s lo-fi tape plugin based on its Mellotron emulation.Īnalog Lab Play is available for download right now, so hop to it. For electronic musicians looking for THE iconic acid sound. Analog Lab Intro is a similar product to Play that was offered as a free download with the purchase of select MIDI controllers and occasionally as a standalone software suite. This isn’t the first time Arturia has thrust a free version of its software on the world. When we reviewed the original Analog Lab, we found it to be the perfect software suite for those who like to tweak presets over creating sounds from scratch. It costs $200 and remains mostly unchanged, but will receive the same UI refresh included with Analog Lab Play. It still allows access to thousands of presets captured from the renowned Arturia V Collection, Pigments and related soft synths. To that end, the original paid Analog Lab software is also getting a refresh.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |